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Monday, 28 March 2011

Evaluation Qu 2

What have you learned from your audience feedback?


Primary Research


^ Audience test screening.

^ An example of one of my audience feedback questionnaires.


As you can see, my predictions were correct about 15-25 year olds being the main target audience, with an older niche audience of over 41’s. However, the 26-40 age group isn’t far behind the main target audience. I think this is because the sort of film that this is appeals to a lot of people. I found it interesting that the majority of the older group weren’t into Gothic horrors, but would have seen the film despite this.


Number of females who would go and see it = 5/6


Number of males who would go and see it = 8/10


Percentage of females = 83%


Percentage of males = 80%


The film is centered around a couple, and statistically romantic films do appeal more to women than men. However the difference is so slight, it is probably unaccountable. It was interesting however that the responses to the question 'What aspect(s) of the narrative interests you most?' were different between men and women. Generally females were more interested in the two main character's relationship, and males were more interested in the killer and action scenes.



^ Wordle of audience feedback phrases and words - positive above, negative below.

Qualitative Research



^ Two audience responses to my poster and trailer.



^ Two audience responses to my website.

Quantitive Research


^ Facebook responses (Link - http://www.facebook.com/home.php?sk=group_199706840051169)


Comments

From my questionnaires, the Facebook page, and audience interviews I received lots of positive feedback and useful information about what was effective and how I could improve my tasks. I was glad to find that everyone could tell what genre the film was from each task. I think establishing the genre is very important because a genre indicates to your audience whether they will like the film or not. What most people liked about the trailer was how mysterious it was by not revealing everything, they felt encouraged to go and see the film because they wanted to find out what happens. Most teaser trailers set out to be mysterious because mystery generates interest. I tried to maintain a similar mystery throughout my three tasks. However I also received feedback stating that I should include more narrative in the trailer, for it was apparently too vague.

My poster is meant to quickly capture the audiences interest. It is unconventional of most film posters, for there aren't real images, and it looks hand drawn. I was hoping that this would be a beneficial factor however, that the unconventional look would grab the audience's attention and interest at a first glance. From my audience feedback it seems that the uniqueness of the poster did encourage viewers to want to further explore the film. People said it looked mysterious and suspicious. On facebook, many said they thought the title wasn't big enough, or bold enough and that the poster had to be condensed. I took these suggestions into account and made the changes. One person also said they thought the 15 certificate should be red, so I took this on board also, and changed the colour.

I received a lot of positive feedback for the website. People particularly liked the intro video. I learned that using a short unseen clip like this generates interest and offers my audience more of a taste of the film. One person said she really liked the layout because it was quite different to what she was used to.


Theory

Different audiences use texts in different ways. This is called gratification. I think my text gratifies audiences partly by relieving tension. The frightening or suspenseful moments cause the audience to be stressed for a short while, until the end of the film when the equilibrium is returned and the stress is relieved. This whole process acts as a relaxant. The film also satisfies them by offering them a chance to decode the enigma and be proud of themselves afterwards. Roland Barthes called this the 'Enigma code.'


I would say my text is a readerly text. It makes the audience think, rather than passively take in information. For me, this makes a text substantially more interesting. Throughout the film they have to unfold the murder mystery themselves. I want my text to have multiple effects on different people. Some might sway to one opinion, others might sway to another. How you interoperate a text is based on your social influence and life, and I'd want my text to be one which can have different interpretations. In other words, I imagine the film as being an 'Open' text. My film is possibly an example of Mulvey's 1975 'Male Gaze' theory. An argument which rested on a number of psychoanalytical concepts and assumptions. My film is mainly from the point of view of the man. The theory suggests that men will identify with my main male character, and observe my female character voyeuristically. She stated that men are active viewers and female passive. The women are apparently compelled to take the viewpoint of the male character, and are then denied a viewpoint of their own. Perhaps because of the sex of my main character, male audiences would be satisfied by the film more so than women, however there are other aspects that one can Identify with, for example the theme, problem, or story, and seeing as film is to do with interpretation, the characters are there to merely represent a story, and any person can Identify with a character's story regardless of their sex.


Another narrative code which my trailer is an example of is the Action code. Through the mise en scene, cast and camera work my audience quickly construct the plot themselves form these coded elements, I therefore didn't have to spell everything out. The viewers know that a tall dark handsome man with a gun and a cape is likely to be the hero, and that the masked or ugly character is most definitely the villain and so on.


Another code is the Cultural code. The audience can immediately acknowledge what period the film is and where its set simply through the mise en scene. The costume acts as a signifier for period, as well as the location. The shot of Westminster lets the audience know where the film is set. Barthes said that the 'reader' combines all the data from each code into an overall understanding of the narrative.


I tried to make my film attractive, or pleasing on the eye. Most gothic horrors rely on visuals to gratify their audience. My trailer uses lots of compelling sound effects and snazzy special effects to draw in the potential viewer. I tried to compose my trailer in such a way that it will create an active viewer. I did this through the mystery of the trailer, they are left wondering what will happen, and why it is happening. Perhaps they'll go on to the website for more clues and information.


Followers